Dr. Masumi Hayashi's work has been featured in numerous books, academic journals, popular magazines, and newspapers. Her panoramic photo collages have been the subject of scholarly analysis and public discourse on memory, history, and visual culture.
Books
- 2011, The Life and Death of Buildings: On Photography and Time, Joel Smith, Princeton University Art Museum and Distributed by Yale University Press, Princeton, New Jersey
- 2011, Hiding Places: Memory in the Arts, "Shared Memory: Artists' Perspectives and Practices", Erika Doss, John Michael Kohler Arts Center, Sheboygan, Michigan
- 2011, Reading Photography: A Sourcebook of Critical Texts 1921-2000, Sri-Kartini Leet, Lund Humphries Farnham, Surrey, UK
- 2010, Memorial Mania: Public Feeling In America, Erika Doss, The University of Chicago Press Chicago (Dedication to Masumi Hayashi)
- 2005, Creative Essence: Cleveland's Sense of Place, Gibans, Nina Freedlander, The Kent State University Press, Kent, Ohio (Cover Image)
- 2005, Writing the World on Globalization, Rothenberg, David and Pryor, Wandee, editors, A Terra Nova Book, MIT Press, Cambridge, Massachusetts (Cover Image)
- 2004, Terrestrial Forces, Museum Press, Florida State University Museum of Fine Arts, School of Visual Arts and Dance
- 2003, Only Skin Deep: Changing Visions of the American Self, Coco Fusco, Brian Wallis, editors, Henry N. Abrams, Inc., New York, and International Center of Photography
- 2001, Art, Songs of Terror, Tales of Tule Lake, Shallit, Barney, edited by Art Hansen, Walter and Michi Nisiura, Weglyn, Multicultural Publication Series, California State University, Fullerton, California (Cover Image)
- 2001, As Eve Said to the Serpent: Essays on Contemporary Landscape, Solnit, Rebecca, University of Georgia Press
- 2000, Only What We Could Carry: The Japanese American Internment Experience, Inada, Lawson, editor, Heyday Books, Berkeley, California, and California Historical Society, San Francisco
- 1999, America's Concentration Camps During World War II: Social Science and the Japanese American Internment, Feeley, Francis McCollum, University of the South, New Orleans, La. (Cover Image)
- 1998, Digital Revolution, Coleman, A.D., Nazraeli Press, California
- 1998, Photography 1900 to the Present, Hulick, Diana, and Marshall, Joseph, Prentice Hall, New Jersey
- 1998, "Undertones: Ten Cultural Landscapes", Reframings: New American Feminist Photographies, Lippard, Lucy, Edited by Diane Neumayer, Temple University Press, Philadelphia
- 1997, The Lure of the Local, Lippard, Lucy, New Press Publishers, New York
- 1996, Legacy of Light: Photographs from the Collection of the Cleveland Museum of Art, Hinson, Tom, Cleveland Museum of Art
- 1994, "Women, Photography and the Iconography of War", War Works, Williams, Val, Virago Press Ltd., London, England
- 1994, Global Environment, Exhibition Catalog for Houston Foto Fest exhibit "Global Environment", Curated by Diane Barber, Houston, Texas
- 1994, Old Glory: The American Flag in Contemporary Art, Catalog by David Rubin, Curator, Cleveland Center for Contemporary Art
- 1994, Nervous Landscapes, Catalog by Allison Nordstrom, Curator, South West Museum of Photography, Daytona Beach, Florida
- 1992, Exploring Color Photography, Robert Hirsch, Focal Press, Stoneham, Massachusetts
- 1991, The Invitational: Artists of Northeast Ohio, Tom Hinson, The Cleveland Museum of Art
- 1989, Photographic Alternatives, Nancy Howell-Koehler, Davis Publications, Worcester, Massachusetts
- 1983, Encyclopedia of Photographic Artists and Innovators, Turner Brown and Elaine Partnow, MacMillan Publishing Company, New York City
- 1979, Photo Images in Art: Design, Process and Materials, Nancy Howell-Koehler, Davis Publications, Worcester, Massachusetts
Art Journal Reviews and Critical Essays
- 2012, "Gallery: Recollections", Architecture Boston, Fall 2012, Boston, Massachusetts, Quarterly Publication of the Boston Society of Architects
- 2011, A.D. Coleman, "Frames of Reference", Ag: The International Journal of Photographic Art and Practice, Edited by Chris Dickie, Winter 2011, East Molsey, Surrey, UK
- 2004, "Mine Okubo", Amerasia Journal, edited by Elena Tajima Creef, Summer 2004 issue, UCLA, Los Angeles, California
- 2003, Debbie Hagan, "Panoramic Photography", Art Business News, NYC, NY, October, 2003 Issue
- 2003, "Photo Collages of Masumi Hayashi", Photo Italia Magazine, Guilio Piovisan, September, 2003 issue, Milan, Italy
- 2003, "Indian Temples, Masumi Hayashi Photographs", The Cleveland Museum of Art Members Magazine, Tom Hinson, Summer 2003 issue, Cleveland, Ohio
- 2003, "Coming up at the National Museum, Sights Unseen: The Photographic Constructions of Masumi Hayashi", Japanese American National Museum Member Magazine, Los Angeles, California, Spring 2003
- 2003, "The Big Picture, Masumi Hayashi's Wide, Wide Gaze", Dan Tranberg, Angle Magazine, Cleveland, Ohio, Issue 05
- 2001, "Genius, Imagine What Could Happen", Robert Stearns, Dialogue Magazine, Jan-Feb 2001, Columbus, Ohio
- 1999, "The Permanent Collection and Re-Visioning Manzanar", Karin Higa, Japanese American National Museum Quarterly, Issue No. 1, November, 1999, Los Angeles, California
- 1997, "Democracy", The Public Art Review, ed: Debra Karasov, Minneapolis, Mn., (issue no. 17: Democracy) (Cover)
- 1997, Robert Odum, "Single Frame: Photographer Masumi Hayashi", DoubleTake Magazine, Fall 1997, Center for Documentary Studies at Duke University, Durham, N.C.
- 1995, "American Concentration Camps", See: A Journal of Visual Culture, ed: David Reed, Dereck Johnson, San Francisco, California, (Winter 1995)
- 1995, "Landscape for a New Millennium", Photography Quarterly, The Gift of Choice, Woodstock, New York, (Spring 1995)
- 1993, Rebecca Solnit, "The West Revisited", Creative Camera Magazine, London, England, December/January 1993, No. CC319
- 1992, "Ohio EPA Superfund Sites: Panoramic Photo Collages by Masumi Hayashi", Artful Dodge, 22/23, Worcester, Ohio
- 1992, "The East Comes West", A.D. Coleman, Camera and Darkroom, June issue, Los Angeles, California
- 1991, "A Terrible Beauty", Vicki Goldberg, ARTnews, Summer 1991, New York City, New York
- 1991, "The End of Wilderness", Peter de Lory, Aperture, New York City, New York
- 1990, "Of Houses and Highways", J.B. Jackson, Aperture: Beyond Wilderness, New York City, New York, #120
- 1989, "Of a Different Order", Jamie Brunson, Artweek Magazine, San Francisco, California, Volume 20, Number 39, November 23, 1989
- 1989, "The May Show", Rikki Santer, Dialogue Magazine, Columbus, Ohio, September/October 1989
- 1988, "Post-Industrial Panoramic Landscapes: A Portrait of Cleveland", Bruce Checefsky, Dialogue Magazine, Columbus, Ohio, November 1988
Popular Magazines and Newspapers
- 2012, "Get Inspired By... Masumi Hayashi", Discovery Girls: Created By Girls, For Girls..., June/July, 2012, Los Altos, CA (Tween Magazine dedicated to girls age 8 and up)
- 2004, "The Price of Liberty", Marina Takahashi, Cleveland Magazine, photography by Masumi Hayashi, December 2004
- 2003, "Sights Unseen: The Photographic Constructions of Masumi Hayashi", Dwell Magazine, Los Angeles, California, September 2003
- 2003, "Temple of My Familiar, Masumi Hayashi's India Photographs Create A Rich and Complex New Reality", Anastasia Pantsios, Cleveland Free Times, August 13-19, 2003
- 2003, "A Fractured State of Photography", Holly Myers, Los Angeles Times Calendar, Los Angeles, California, June 30, 2003
- 2003, "Functional dysfunction, the disquieting themes of decay and abandonment are home in the photo collages of Masumi Hayashi", Scarlet Cheng, Los Angeles Times Calendar, Los Angeles, California, June 18, 2003
- 2003, "Postcards with an Edge", Kristin Friedrich, Downtown News Calendar, June 16, 2003
- 2003, "Beauty within the Grotesque", Philip Zonkel, San Gabriel Valley Newspaper, San Gabriel, California, June 6, 2003
- 2003, "JA Photographer Documents American Experience in Little Tokyo Exhibit", Philip Zonkel, The Rafu Shimpo, Los Angeles, California, May 31, 2003
- 2003, "Through my Kaleidoscope", Abha Eli Phoboo, The Himalayan Times, Kathmandu, Nepal, Sunday, April 27, 2003
- 2002, "Ruckkehr zu den Wurzeln", Lieselotte Sauer-Kaulbach, Rhein-Zeitung Dienstag, Koblenz, Germany, June 11, 2002
- 1997, Stephen Litt, "Panoramic Presentation", The Plain Dealer, Cleveland, Ohio, November 23, 1997
- 1996, Millie Creighton, "Profile: Masumi Hayashi - American Artist", The Bulletin: A journal of Japanese-Canadian Community, History and Culture, Vancouver, B.C., Canada, September, 1996
- 1995, Jeff Hagan, "The Artist Outside", Cleveland Magazine, Cleveland, Ohio, July, 1995
- 1995, Mark Dowie, "The Fourth Wave", Mother Jones Magazine, San Francisco, California, April, 1995
- 1995, "Kensington Gore", The New Statesman & Society, London, England, 13 January 1995
- 1994, Helen Cullinan, "Photocollage Artist Inserting Activist Lens Into Her Camera", The Plain Dealer, Cleveland, Ohio, 18 September 1994
- 1993, Rebecca Solnit, "The West Revisited", Creative Camera Magazine, London, England, December/January 1993
- 1993, "Nuclear Waste in Ohio", John Baskin, Managing Editor, Ohio Magazine, Columbus, Ohio, July 1993
- 1992, "The East Comes West", A.D. Coleman, Camera and Darkroom, Los Angeles, June, 1992
- 1991, "A Terrible Beauty", Vicki Goldberg, ARTNews, New York City, New York (Summer, 1991)
- 1990, "Panoramas and Pointed Social Commentary by Hayashi", Suzanne Muchnic, Los Angeles Times, Los Angeles, California, 22 June 1990
- 1989, "Of a Different Order", Jamie Brunson, Artweek Magazine, San Francisco, California, 23 November 1989
- 1988, "Post Industrial Panoramic Landscapes: A Portrait of Cleveland", Bruce Checefsky, Dialogue Magazine, Columbus, Ohio, November, 1988
- 1987, "Accessible Art", Benedict Tisa and Catlin Masie, Darkroom Photography, January, 1987
Additional Resources
For a complete listing of Dr. Hayashi's publications, exhibitions, awards, and professional activities, please see her comprehensive Curriculum Vitae.
View Full CV →